This piece is part of my painting series called "Ani," which means harvest or harvest rice.

Pangisda or "fisherman"

Being a magdadaing (dried-fish vendor) is not an easy job, especially that some people look down at blue-collar workers. But this job sustains our families and helps us cope with daily life. We keep our heads held high.

A view into the daily life of coconut workers

The farmers deserve more appreciation. It's a vital profession that's often overlooked, but they're the true backbone of our country, ensuring we have food to eat.

Pamatdan or to "look for sugarcane cuttings"

The insular government introduced motor-driven caravans during the Manila Carnival, held from 1908 until the ’30s. Caravans, including booths, were positioned along the Wallace Field in Luneta Park. They sold regional handicrafts and goods.

A tapasero is someone who works on a sugarcane plantation to cut sugarcane.

"The Fisherman's Art" is a vibrant and dynamic cubist masterpiece that celebrates the labor of the fisherman and the abundance of the sea. The canvas explodes with angles and textures, creating a fragmented yet unified composition that captures the essence of a fresh catch.

It showcases a scene of farmers planting rice in the countryside. 

"Planting Rice 3," 2022

The painting captures the everyday scene of tire repair, highlighting the man's hard work and the tools of his trade in a simple yet engaging way.

In this vibrant watercolor art, the construction worker takes center stage, depicted with bold colors and intricate details that emphasize the dedication involved in their work on the construction site.

The artwork depicts the social realism of a farmer's life struggling and not treated equally.

"Ang Pantalan ng Maynila, o Pier ng Maynila, ay ang pinakamalaki at pangunahing pantalan ng Pilipinas na matatagpuan sa bukana ng look ng Maynila." - Wiki

"Sadto, Hababaw pa an Grasya" (Noon, Nong Mababaw pa ang Biyaya) features our local clam farmers in the small town of Catubig, Northern Samar. 

Mabuti pa ang pera, may tao.
'yung ibang tao, walang nang pera,
Kasi 'yung ilang mapera hindi makatao.

This piece is part of my painting series called "Ani," which means harvest or harvest rice.

The painting's cubist approach, emphasizing geometric forms and fragmented perspective, invites viewers to engage with the scene more deeply. It appreciates the complexity of the fisherman's labor, the bounty of the sea, and the interconnectedness of human and natural elements.

Karyada, a farmer picking rice in the rice field